MAKE A MEME View Large Image Aztec - Mask - Walters 2009201 - Three Quarter Right.jpg Throughout Mesoamerica the wearing of masks was central to the performance of religious rituals and reenactments of myths and history The face is the center of identity and by ...
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Keywords: Aztec - Mask - Walters 2009201 - Three Quarter Right.jpg Throughout Mesoamerica the wearing of masks was central to the performance of religious rituals and reenactments of myths and history The face is the center of identity and by changing one's face a person can transcend the bounds of self social expectations and even earthly limitations In this transformed state the human becomes the god supernatural being or mythic hero portrayed Masks of skeletal heads whether human or animal are relatively common for death played a central role in Mexica religion Death was one of the twenty daysigns of the Mexican calendar indicating its essential place in the natural cycle of the cosmos Death also was directly connected to the concept of regeneration and resurrection which was a basic principle in Aztec religious philosophy A key Mexica myth recounts the journey of Ehecatl a wind god who was an aspect of Quetzalcóatl Feathered Serpent a powerful Mesoamerican deity Ehecatl travels to Mictlán the land of the dead where he retrieves the bones of long-dead ancestors He grinds their bones and mixes the powder with his blood offered in sacrifice With this potent mixture the god formed the new race of humans who according to Mexica cosmology inhabit the present fifth age of Creation Thus death and rebirth are intimately connected in Aztec thought and religious practice The mask represents the concept of life generated from death with visages animated by lively eyes and painted skin The mask was probably worn during rituals covering the performer's face or attached to an elaborate full-head mask and transforms the person into a new being that symbolizes the pan-Mesoamerican belief in life springing from death as a natural and inevitable process of the mystical universe between 1400 1521 Late Postclassic wood white ground with traces of black and red paint cm 17 2 14 7 2 accession number 2009 20 1 80156 Throckmorton Fine Arts New York date and mode of acquisition unknown John G Bourne 1990s by purchase Walters Art Museum Gift of John Bourne 2009 place of origin Central Mexico Walters Art Museum license Aztec art in the Walters Art Museum Aztec masks Media contributed by the Walters Art Museum needs category review Mictlán Mesoamerican wood artefacts
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