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| Keywords: devotional book of hours bookofhours flemish calligraphy book codex illumination manuscript miniature heraldry walters art museum waltersartmuseum historiated initial historiatedinitial flanders 15th century 15thcentury devotion This Book of Hours was made ca. 1420-1440 for use of Rome in northeastern France or Paris, as suggested by the contents in the calendar and the inclusion of a suffrage to St. Avia. Although the identity of the initial patron is unknown, his heraldry was added thirty-five times throughout the book. The manuscript was owned within the first decades of its creation by Thomas Malet of Berlettes and Jeanne of Lannoy, whose heraldry was added early into the manuscript as well. This was likely in the 1430s, coinciding with their marriage, and the addition of a miniature depicting the Marriage of the Virgin at this time supports this. This manuscript contains twenty-seven additional miniatures, some of which are of particular iconographical note, such as St. Luke painting the Virgin (fol. 14v). The inclusion of this depiction, as well as other compositional and style choices, link this book to the Master of Morgan 453. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). This Book of Hours was made ca. 1420-1440 for use of Rome in northeastern France or Paris, as suggested by the contents in the calendar and the inclusion of a suffrage to St. Avia. Although the identity of the initial patron is unknown, his heraldry was added thirty-five times throughout the book. The manuscript was owned within the first decades of its creation by Thomas Malet of Berlettes and Jeanne of Lannoy, whose heraldry was added early into the manuscript as well. This was likely in the 1430s, coinciding with their marriage, and the addition of a miniature depicting the Marriage of the Virgin at this time supports this. This manuscript contains twenty-seven additional miniatures, some of which are of particular iconographical note, such as St. Luke painting the Virgin (fol. 14v). The inclusion of this depiction, as well as other compositional and style choices, link this book to the Master of Morgan 453. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). | ||||
