MAKE A MEME View Large Image The Departure of the Ship (William Blair Bruce) - Nationalmuseum - 18662.tif William Blair Bruce en The Departure of the Ship There is a great commotion on Blasieholmen around the departing steamboats The scene is remarkably bright - but ...
View Original:The Departure of the Ship (William Blair Bruce) - Nationalmuseum - 18662.tif.tiff (3708x3184)
Download: Original    Medium    Small Thumb
Courtesy of:commons.wikimedia.org More Like This
Keywords: The Departure of the Ship (William Blair Bruce) - Nationalmuseum - 18662.tif William Blair Bruce en The Departure of the Ship There is a great commotion on Blasieholmen around the departing steamboats The scene is remarkably bright - but the light does not appear to come from the gaslights that were still common in Stockholm but from electric arc lights judging by its intensity and lofty position At the time of this painting arc lighting had been introduced at the quays of Stockholm The Canadian artist Bruce usually devoted himself to painting different kinds of daylight Here however the electric light “ the emblem of modernity “ captured his attention PĂ„ Blasieholmen Ă€r trĂ€ngseln stor framför de Ă„ngbĂ„tar som just ska lĂ€gga ut Scenen framtrĂ€der i ett pĂ„fallande starkt ljus “ men inte frĂ„n det gasljus som Ă€nnu dominerade i Stockholm Ljusets styrka och höga placering vittnar istĂ€llet om den tidiga form av elektrisk utomhusbelysning “ sĂ„ kallat bĂ„gljus “ som vid denna tid hade börjat anvĂ€ndas pĂ„ stadens kajer Kanadensaren Bruce Ă€gnade sig i sitt mĂ„leri vanligen Ă„t dagsljusets skiftningar Men hĂ€r har alltsĂ„ det elektriska ljuset “ den moderna tidens signum “ fĂ„ngat hans intresse header There is a great commotion on Blasieholmen around the departing steamboats The scene is remarkably bright - but the light does not appear to come from the gaslights that were still common in Stockholm but from electric arc lights judging by its intensity and lofty position At the time of this painting arc lighting had been introduced at the quays of Stockholm The Canadian artist Bruce usually devoted himself to painting different kinds of daylight Here however the electric light “ the emblem of modernity “ captured his attention PĂ„ Blasieholmen Ă€r trĂ€ngseln stor framför de Ă„ngbĂ„tar som just ska lĂ€gga ut Scenen framtrĂ€der i ett pĂ„fallande starkt ljus “ men inte frĂ„n det gasljus som Ă€nnu dominerade i Stockholm Ljusets styrka och höga placering vittnar istĂ€llet om den tidiga form av elektrisk utomhusbelysning “ sĂ„ kallat bĂ„gljus “ som vid denna tid hade börjat anvĂ€ndas pĂ„ stadens kajer Kanadensaren Bruce Ă€gnade sig i sitt mĂ„leri vanligen Ă„t dagsljusets skiftningar Men hĂ€r har alltsĂ„ det elektriska ljuset “ den moderna tidens signum “ fĂ„ngat hans intresse date Olja pĂ„ duk Size cm 35 27 Institution Nationalmuseum Stockholm Signerad B B accession number 18662 NM 1658 place of creation Bodil Karlsson / Nationalmuseum Nationalmuseum Stockholm cooperation project Licensed-PD-Art PD-old-auto PD-Nationalmuseum_Stockholm 1906 Media contributed by Nationalmuseum Stockholm 2016-10 Paintings in the Nationalmuseum Stockholm William Blair Bruce
Terms of Use   Search of the Day