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Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels  in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
A ten cent Canadian postage stamp issued in 1976 depicting an Iroquois encampment.
Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy
Ancient Roman fresco ( 45-79 d.C. ) from the Augusteum-Basilica, Herculaneum.\nAlcestis and Admetus. The oracle predicts the death of Admetus.\nAlcestis, in Greek legend, the beautiful daughter of Pelias, king of Iolcos. She is the heroine of the eponymous play by the dramatist Euripides ( c. 484–406 bce ). According to legend, the god Apollo helped Admetus, son of the king of Pherae, to harness a lion and a boar to a chariot in order to win Alcestis's hand.
No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Adam and Eve. A scene from Milton's Paradise Lost. Engraving from 1870 by Gustave Doré.
the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear
Attractive Caucasian man leaning forward to get a better look at the blue bowl exhibited in a glass case. Waist up image, his face lit up by the display lights, looking away.
Rome, Italy - March 16, 2016: The fresco Miracle of the Chains on the coffered ceiling was painted by Giovanni Battista Parodi in 1706 in San Pietro in Vincoli church
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
Naples - The detail of painting of Fall of the Rebel Angels in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
Cupid working as  goldsmith\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Europe. Italy. Lombardy. Milan. Museum of the Cathedral Duomo. God the Father - by Beltramino de Zutti (1416-1425)
Mid adult attractive man having a close look at the exhibited glassware in a display box. Close up image, looking away, light from the spotlight reflecting on his face. Partly shot through glass.
Engraving of \
Religious art and architectural details in Sacro Monte di Varallo, Italy
Assisi - The fresco Expulsion of Adam and Eve from Paradise in church Chiesa Nuova (San Francesco Convertito) by Giacomo Giorgetti from half of 17. cent.
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.
Exhibition with statue of the poet in the new reopened Hans Christiansen Andersen childhood House.\nWhat used to be a museum for the world famous Danish poet changed to be a place for a journey into the poet's universe. The museum has been reinvented and a new center for experiencing Hans Christian Andersen's world has  grown from the former museum.
Francois de Voltaire a portrait from old French money
East Doors (Gates of Paradise) by Lorenzo Ghiberti on Florence Baptistery (Battistero di San Giovanni) in Tuscany, Italy. These doors consist of 10 panels depicting scenes from the Old Testament and were commissioned in 1424. Once completed, they were described by Michelangelo as being fit to be the 'gates of paradise'. The doors displayed are now a copy of the original, with those being displayed in a local museum.
Venezia, Italy - September 26, 2010: Fresco by Giambattista Tiepolo for Ludovico Rezzonico and Faustina Savorgnan's marriage, on the ceiling of Cà Rezzonico, now Museo del Settecento.
Young Caucasian woman reading through a digital tablet with data of the displayed objects while her biracial husband is checking out the stone remains of an Ancient Roman town. Candid shot over the display cases in the middle of museum gallery.
Acireale - The fresco Killing of Abel in Duomo - cattedrale di Maria Santissima Annunziata by Pietro Paolo Vasta (1736 - 1739).
Iphigeneia carried to the sacrifice by Odysseus and Menelaos\nThe House of the Tragic Poet ( also called The Homeric House or The Iliadic House ) is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.\nFrom left to right : Agamemnon - Odysseus - Menelaos ( holding Iphigeneia ) - Calchas
Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.
Architectural details of the Commerzbank building in Leipzig.
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