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Fresco in St. Charles's Church in Vienna
Dionysos discovers Ariadne on Naxos from the house of the colored columns in Pompeii.\nAfter Ariadne helped Theseus escape from the labyrinth, he abandoned her on the island of Naxos. His ship sails off in the upper right. Dionysus and his retinue discover her sleeping; the god falls in love with her and makes her his consort.
Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels  in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
Izmir, Turkey-March 14, 2015: Portrait of a female statue found on the wall of the Celsus Library Ruins in Ephesus.
the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear
Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy
Details of the Trevi Fountain in Rome
Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.
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Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Religious art and architectural details in Sacro Monte di Varallo, Italy
Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Fagnano Olona, Italy - May 6, 2023: Fagnano Olona, Varese province, Lombardy, Italy: exterior of the historic Madonna della Selva church
Cemetery Verano, Rome, Italy: close up on the statue of Hope by Stefano Galletti (1887)
Postage stamp isolated on black
Iphigeneia carried to the sacrifice ( centre ) while the seer Calchas ( on the right ) watches on and Agamemnon - king of Mycenae who commanded the Achaeans during the Trojan War ( on the left ) covers his head in sign of lamentation. In the sky, Artemis appears with a hind which will be substituted for the young girl.\nThe House of the Tragic Poet ( also called The Homeric House or The Iliadic House ) is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.\nFrom left to right : Agamemnon - Odysseus - Menelaos ( holding Iphigeneia ) - Calchas
The central portion of the ceiling of the salle des Pas-Perdus in the palais Bourbon, by Horace Vernet, entitled “Peace Enthroned Before Paris”.
Statues in Firenze, Piazza della Signoria
The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.
Black and white old statue of young  man, from cemetery build in 1864 Czech Republic, white background with copy space, full frame vertical composition
Naples - The painting of Hagar and Ismael on the desert in the church Chiesa dell' Ascensione a Chiaia by Alfonso di Spigna (1697-1785)
Majestic Figure Decorations Of Equestrian Statue Of King Jose I At Praça do Comércio In Lisbon, Portugal
Portrait of paintings-identical reproduction of  original paintings
Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.
No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Verano cemetery, Rome, Italy: the statue of Redeemer by Leopoldo Ansiglioni in 1887.
Venezia, Italy - September 26, 2010: Fresco by Giambattista Tiepolo for Ludovico Rezzonico and Faustina Savorgnan's marriage, on the ceiling of Cà Rezzonico, now Museo del Settecento.
Statues in Piazza del Popolo square, Rome, Italy
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