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Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.
Roman fresco showing flower dealers. Cherubs represent the flower dealers, and the flowers are being carried in baskets over one cherub's shoulder and on the back of a goat. This fresco is from the triclinium (dining room) of the House of the Vettii in Pompeii\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Interior of the Cathedral of Serravalle in Vittorio Veneto
the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Genova - The fresco of Last Judgment in the church Chiesa del Gesu by Giovanni Battista and his brother Giovanni Carlone from 17. cent.
The grandiose trompe l'oeil ceiling of Sant'Ignazio of Loyola Church in Rome, painted by Andrea Pozzo after 1685.
The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.
Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o.  Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting.  After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.
close-up of The Rape of Polyxena statue in Florence Italy\nThe Rape of Polyxena is a marble statue located in the Loggia dei Lanzi in Florence, Italy's Piazza della Signoria. It was sculpted by Pio Fedi in 1868, it was placed alongside several sculptures from the Renaissance.
Details of the interiors of Collegiata di San Gaudenzio church, Varallo, Italy
Portrait of paintings-identical reproduction of  original paintings
Gesù Nuovo (Italian: New Jesus) is the name of a church and a square in Naples, Italy. They are located just outside the western boundary of the historic center of the city.
Paris, france, april 04,  2017 : interiors  decor of Sainte croix des armeniens church, 19th century paintings by Ary Scheffer, Thomas Degeorge and Jean-Pierre Franque
The Sacristy of the Metropolitan Cathedral in Mexico City, Mexico.
Rome, Italy - January 02, 2005: Ceiling Fresco. Dome of church of Saint Ignatius of Loyola. Built in Baroque style between 1626 and 1650, the church functioned originally as the chapel of the adjacent Roman College.
Cupid in a chariot race.\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Bergamo -  Detail of painting \
The majestic and stunning frescoed vault inside the church of Sant'Ignazio di Loyola (St. Ignatius of Loyola), in the historic and Baroque heart of Rome. The fresco, depicting the Glory of St. Ignatius, founder of the Society of Jesus (Jesuits), is one of the absolute masterpieces of the Roman Baroque. Painted by the artist Andrea Pozzo in 1685, this fresco almost entirely covers the vault of the church with a perspective representation that, between arches, clouds and columns, increases its space and volumes, effectively creating a virtual reality. The work depicts Christ (in the center) who radiates the figure of St. Ignatius and at the corners the allegories of the four continents known until then. In 1980 the historic center of Rome was declared a World Heritage Site by Unesco. Super wide angle image in high definition format.
Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy
women with flower head in surreal garden
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Religious art and architectural details in Sacro Monte di Varallo, Italy
florence, italy, october 26, 2015 : interiors and architectural details of Santa Croce basilica, october 26, 2015 in Florence, Italy
Pompeii, House of the Vettii, Casa dei Vettii, VI, 15,1), wall painting of the oecus (room q) at the peristyle. Detail of wall painting showing small angels doing goldsmith work, on the right an angel weighs a piece of jewellery on hand held scales.\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Venice - The Flight into Egypt scene (1733) by Gaspare Diziani in church Chiesa di San Stefano.
The beautiful frescoes with a false perspective inside the Chiesa della Santissima Annunziata, in the historic and medieval heart of Siena, in Tuscany. Built in 1257 as part of the ancient Spedale di Santa Maria della Scala, the church was remodeled in successive stages during the 15th century. In the photo, the apse with frescoes by Sebastiano Conca painted in 1731 and the High Altar with the bronze statue of the Risen Christ, a masterpiece from 1476 by the artist Lorenzo di Pietro. Siena is one of the most beautiful Italian cities of art, in the heart of the Tuscan hills, famous for its immense artistic and historical heritage and for the Palio, where the seventeen historical districts of the city compete every year in Piazza del Campo in one of the oldest horse racing in the world. Since 1995 the historic center of Siena has been declared a World Heritage Site by UNESCO. Image in high definition quality.
Ceiling Fresco (1730) in the Famous Prunksaal or State Hall of the Austrian National Library in the Hofburg in Vienna, Austria
Genius of the Arts, statue by Filippo Gnaccarini at the nymphaeum on Pincian Hill in the city of Rome the capital of Italy.
Free Images: "bestof:Attributed to Pierre-Charles Trémolières The Birth of Venus.jpg The Birth of Venus; oil on canvas; 37 5 x 54 6 cm http //www sothebys com Sotheby's Sale"
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