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the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear
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Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels  in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
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No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
Fresco in St. Charles's Church in Vienna
Mars, images used to produce this render provided by NASA.
The central portion of the ceiling of the salle des Pas-Perdus in the palais Bourbon, by Horace Vernet, entitled “Peace Enthroned Before Paris”.
Pompeii Centaurs with man playing the zither Villa of Cicero ( later known as the Villa of Diomedes ), outside Pompeii 1-37 AD
The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
Take selfie for social. Modern remake of classical artwork with modern tech theme - young medieval couple in masks on dark background, golden colored. Concept of technologies, devices, coronavirus, ad.
Religious art and architectural details in Sacro Monte di Varallo, Italy
Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.
Perseus statue by Cellini in the historical center of Florence, Signoria Square, Italy
Assisi - The fresco Expulsion of Adam and Eve from Paradise in church Chiesa Nuova (San Francesco Convertito) by Giacomo Giorgetti from half of 17. cent.
Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.
Venezia, Italy - September 26, 2010: Fresco by Giambattista Tiepolo for Ludovico Rezzonico and Faustina Savorgnan's marriage, on the ceiling of Cà Rezzonico, now Museo del Settecento.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Historical old coin medallions from medieval times
Vintage photograph of a medallion of Ignacy Jan Paderewski, by Alfred Nossig.
Monopoli, metropolitan city of Bari, Apulia, Italy - 26 march 2023: Cathedral Basilica Maria Santissima della Madia - The pictorial cycle, created around 1732 by Michelangelo Signorile from Bari, commissioned by Bishop Iorio, recalls, with four paintings, the story of the coming of the Icon of the Madonna
A big statue sculptures at the Michaelertrakt (Michael square) exterior wall facade of the famous Hofburg Palace in the city center of the Austrian capital.\n1893 by Austrian sculptor Edmund Hofmann von Aspernburg
Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Typical ancient Greek pottery paintings depicting reddish figures on a black background.
Majestic Figure Decorations Of Equestrian Statue Of King Jose I At Praça do Comércio In Lisbon, Portugal
Free Images: "bestof:Chodowiecki Venus and Mars.jpg Artwork Creator Daniel Chodowiecki 1750 enamel tin cm 5 9 7 5 Institution National Museum Warsaw accession number Min 933/a"
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