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$Fresco Giotto \$

Galatina, Apulia (Italy): a composition made of details from the XVth century frescoes painted on the walls of the Basilica of St. Catherine of Alexandria.

Fresco painted by Giotto in Scrovegni chapel of Padua, Italy.

The beautiful fresco painted by Giotto depicting Saint Francis talking to birds inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

St Peter Preaching, by Masolino, famous Early Renaissance Fresco in the Brancacci Chapel of Florence, Italy

East Doors (Gates of Paradise) by Lorenzo Ghiberti on Florence Baptistery (Battistero di San Giovanni) in Tuscany, Italy. These doors consist of 10 panels depicting scenes from the Old Testament and were commissioned in 1424. Once completed, they were described by Michelangelo as being fit to be the 'gates of paradise'. The doors displayed are now a copy of the original, with those being displayed in a local museum.

Padova. Detail of the Hell. Scene of torture by devils on the hell. Painting by Giotto

Bulgaria - Rila Monastery ( Rilski Manastir). The Monastery of Saint John of Rila, also known as Rila Monastery is the largest and most famous Eastern Orthodox monastery in Bulgaria. It is situated in the southwestern Rila Mountains, 117 km south of the capital Sofia in the deep valley of the Rilska River. It is a site UNESCO

$Fresco Giotto Resurrection of Jesus - Noli me tangere (\$

Byzantine fresco painting of Jesus Christ with gold leaf halo and shining stars

Nardò, Italy - June 22, 2021: Nardò, historic city in Lecce province, Apulia, Italy. Interior of the cathedral. Painting

The detail of a fresco by Cimabue inside the Basilica Inferiore di San Francesco (Upper Basilica of San Francesco), in the medieval heart of Assisi, in Umbria. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

Italy - Celano, Abruzzo: fresco in a window of the Church of San Giovanni (Saint John) built in the 14th century in the town of Celano, in Abruzzo. The frescoes were painted in the 15th century. The Church is open and can be visited at all times.

Perugia - The fresco of Mary and St. John under the cross (detail of Crucifixion) in the church Chiesa di San Agostino by Pellino di Vannuccio (1377)

14th century frescoes in the Upper Basilica of St Francis in Assisi

Istanbul, Turkey - October 31, 2015: The Anastasis ancient painted fresco of the Church of the Holy Saviour in Chora (Kariye Camii). Jesus Christ is pulling Adam from the sarcophagus on the right side of him and Eva from the sarcophagus on the left side of him out of their tombs by holding their hands.

$The Saint Nicholas Church in Bichl near Matrei (Tyrol, Austria), which has beautiful medieval frescoes. The church has a rare\ndouble choir. The frescoes in the choir tower\nare a monument to alpine-Italian culture before the onset of the Gothic\nperiod.$

$Fresco Giotto \$

The detail of the figure of Saint Francis in one of the magnificent frescoes painted by Giotto inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica, which preserves the mortal remains of the Saint of the Poor from 1230, is composed of the Basilica Inferiore (Lower Basilica) and the Basilica Superiore (Upper Basilica), perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

Agliate, Italy - October 20, 2022: Agliate, Monza e Brianza province, Lombardy, Italy: medieval church of SS. Pietro e Paolo

Anastasis fresco in parekklesion of the Chora Church (Kariye Museum) in Istanbul. Fresco date 14 century.

Vicenza - The painting of Last Supper in the church Chiesa di San Gaetano by unknown artist.

Detail of a fresco on a wall of the Romanesque church of Santa Maria Assunta, in Bominaco, L'Aquiila province, in Abruzzo (Italy). The church was founded around the year 1080, XII century

Fresco painted by Giotto. The Scrovegni family of Padova offers the chapel to Mary.

Basilica di Santa Caterina d'Alessandria, Southern Italy, Galatina, Apulia: Interiors fresco details

$Marcialla (Fi), Italy - 11 July 2005: The fresco \$

$Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.$

This international landmark, as seen on the external public-facing door of the baptistery, was designed by Lorenzo Ghiberti (between 1425-1452) and is an icon of the renaissance. The reliefs represent stories from the Old Testament. The visible heads are those of prophets. The doors displayed are now a copy of the original, with those being displayed in a local museum.

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