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St. Stephen, martyrdom. Church of Saint-Gervais-et-Protais. Saint-Gervais-les-Bains. Haute-Savoie. France.
Philip and the Ethiopian Eunuch (Acts 8). Copper engraving by Carl Schuler, published c. 1850.
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
Naples - The painting of Saint Sebastian tended by Saint Irene in the church Chiesa di San Nicola alla Carita by Francesco Peresi (1709 - 1743).
Ancient religious murals in Siena, Italy
Milan, Italy - July 16, 2020: Sant Eustorgio, Paleochristian church in Romanesque style in Milan, Lombardy, Italy. Painting in the interior
Freshly restored frescos in a church ceiling in Sankt Mariæ Kirke – The Church of Our Lady – is part of a former Carmelite Priory and the church is from 1430. Today it is a normal Danish church.
Noah's Ark and the Flood in the old book The Bible in Pictures, by G. Doreh, 1897
Dates back to 1791. Soma, Manisa, Turkey.
Fresco of Saint Sebastian with devotees in the Church of Sant Agostino in San Gimignano, Tuscany, Italy, created by Benozzo Gozzoli in 1464.
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
Brescia, Ialy, May 23, 2016: Brescia - The Madonna with the child and st. Charles and st. Latino in church Chiesa di Angela Merici by Julio Cesare Procaccini (1570 - 1625)
The beautiful fresco painted by Giotto depicting Saint Francis talking to birds inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
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Basilica di Santa Caterina d'Alessandria, Southern Italy, Galatina, Apulia: Interiors fresco details
Detail of the tapestry from Como Cathedral in Italy. Como Cathedral is the Roman Catholic cathedral opened at 1396.
Roman fresco showing flower dealers. Cherubs represent the flower dealers, and the flowers are being carried in baskets over one cherub's shoulder and on the back of a goat. This fresco is from the triclinium (dining room) of the House of the Vettii in Pompeii\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Milan, Italy - April 8, 2023: Milan, Lombardy, Italy: interior of the medieval San Marco church
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Annecy - The painting of Three Magi in the church Eglise Saint Maurice by unknown artist 18. cent..
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Monopoli, metropolitan city of Bari, Apulia, Italy - 26 march 2023: Cathedral Basilica Maria Santissima della Madia - The pictorial cycle, created around 1732 by Michelangelo Signorile from Bari, commissioned by Bishop Iorio, recalls, with four paintings, the story of the coming of the Icon of the Madonna
Basilica dei Santi Giovanni e Paolo, Venice, Italy - June 1th 2024: Glass reliquary with a wax figure of a male saint in front of an altar in the basilica which has a long history, the building where completed in 1430 and has since in periods been the burial place for the dodges of Venezia
Fresco depicting The Martyrdom of St Sebastian by Benozzo Gozzoli (1465) in the Collegiata of San Gimignano, Italy.
14th Century oil painting of Jesus Christ Crucifixion depiction at interior wall of historic church Collégiale Saint Julien. It is a beautiful church located in the southern suburbs of Tournon-sur-Rhone. The church is known for its archaic setting and the Italian architecture that adorn. Built in the 14th Century, this building's main attraction is its awe-inspiring bell tower. Tournon-sur-Rhone, France
Siena, tuscany, italy, june 11, 2016 : detais of the floor marble pavement of the duomo, Siena cathedral, by Giovanni di Stefano , 15th century
A close-up of marble statues depicting religious figures in Florence, reflecting Italy's cultural and artistic richness
Bergamo - The fresco of Jesus Cleanses the Temple scene in church Santa Maria Immacolata delle Grazie by Giambattista Epis (1867).
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
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