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Rom, Italy - March 11, 2016: Rome - The stone floral mosaic with st. John of Capistrano in side chapel of church Basilica di Santa Maria in Aracoeli by unknown artist.

Stylish modern fireplace with a fireproof glass door in a rich house.

A side view of a cozy, luxurious, and empty modern living room with a large white plaster wall background (with copy space) in front of a beige textile sofa, a low marble coffee table (with a vase, decoration, magazines, and some drinks), on the hardwood floor, and decoration (pillows, blankets, books, eyeglasses), a design-shaped marble modern fireplace in the middle. Three wooden shelves on one side of the fireplace with decorations, a painting, rattan baskets, hardwood boxes, candles, sculptures, vases, and a basket of logs on the floor. On the other side of the fireplace, there is a potted plant (ficus) in a high white vase. A slight vintage effect was added. 3D rendered image.

ancient medieval arch with golden monograms and sculptures isolated on white background

Unfurnished Room with a FirePlace. 3D Render

Detail of a fireplace in a modern living room with blank picture frame on wall

Rich interior with antique fireplace with stucco in vintage room

Madaba, Jordan - February 19, 2010: Famous mosaic in St. George's Church in Madaba, Jordan

An old picture frame hangs on a wall with old wallpaper from the early 20th century.

Tomb of Saint Clement in the interior of the Sanctuary of Bom Jesus do Monte, Braga, Portugal

close up of a retail display of a stack of old picture frames leaning against a wall, for sale at a salvage yard, Long Island, New York

Stock photo of a fireplace in a luxury home.

Brown burning fireplace isolated on white background.

Classical style empty living room with fireplace

Stone Floral Frame , an architectural detail in the Islamic architecture Style that can be found in Middle east and India.

Large luxury modern bright interiors Living room mockup illustration 3D rendering image

An empty vintage gold frame rests atop a rich wooden cabinet against a rough textured gray grunge wall, evoking a sense of history and elegance

Gas fireplace in modern house from front view

$The Michigan Central Terminal, a once grand but long-abandoned train station in Detroit, is undergoing a significant restoration. This project, spearheaded by Ford Motor Company, aims to revive the iconic building and transform it into a bustling hub of innovation and mobility. The restoration effort focuses not only on preserving the historic architectural elements of the terminal but also on integrating modern amenities to support new technologies and business activities. This ambitious initiative is part of a broader plan to rejuvenate Detroit's Corktown neighborhood, attracting new businesses, residents, and visitors while honoring the city's rich history.\n\nRecently, the Michigan Central Terminal held an open house event, inviting the public to witness the ongoing restoration work firsthand. The open house provided a rare opportunity for attendees to explore the terminal's grand hall and other areas, showcasing the progress made so far and the vision for its future. Visitors were able to see restored features, such as the iconic arched windows and detailed plasterwork, alongside new developments that blend seamlessly with the historic fabric of the building. The event generated significant excitement and support from the community, highlighting the terminal's potential to become a cornerstone of Detroit's revitalization efforts.\n\nTaken at the Michigan Central Terminal Open House - June 14, 2024$

Classic ornamented fireplace filled with small wood logs and paper

Stone sarcophagus of Venice doge in Basilica dei Santi Giovanni e Paolo

Horizontal photo of a natural gas fireplace with a white mantle and cherry wood floors

Wood carving ornament, dark, brown wood, close up

Rustic Style Fireplace in White Marble With Gold Frame

Rome Italy - October 11, 2007: The tomb of the renaissance artist Raphael Sanzio inside the Pantheon - the Basilica of St. Mary and the Martyrs. On it is inscribed the couplet that was beautifully translated by the English poet, Alexander Pope, in the last two lines of his Epitaph: Living, great Nature feared he might outvye Her works; and, dying, fears herself may dye.

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