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Genova - The fresco of Last Judgment in the church Chiesa del Gesu by Giovanni Battista and his brother Giovanni Carlone from 17. cent.
Naples, Italy - October 31 2023: Fresco and wall paintings in House of the Vettii or Casa dei Vettii or Domus Vettiorum in the archaeological site of Pompeii
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
Roman fresco showing flower dealers. Cherubs represent the flower dealers, and the flowers are being carried in baskets over one cherub's shoulder and on the back of a goat. This fresco is from the triclinium (dining room) of the House of the Vettii in Pompeii\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Leda and the Swan: the fresco re-emerges in a room along Via del Vesuvio, during re-profiling interventions on the Regio V excavation fronts, Pompeii
Ancient religious murals in Siena, Italy
Ancient mosaics in Antakya (Hatay), Turkey.
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
Famous frescoes of the Villa of the Mysteries in Pompeii, which tell the initiation rites of a bride to the god Dionysus.
Religious art and architectural details in Sacro Monte di Varallo, Italy
Granada, Spain - May 29, 2015: The fresco of scene as St Peter Healing the Cripple in the church Monasterio de San Jeronimo by Juan de Medina from 18.cent.
Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o. Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting. After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.
Fresco painted by Giotto in Scrovegni chapel of Padua, Italy.
Grand Central station, New York City, USA. The ceiling has gold astrological or constellation symbols on a green background.
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
According to Doro Levi's chronology, Antakya mosaics are dated to the beginning of the 2nd century AD and just after the great earthquake of 526 AD.
Part of Roman mosaic in the House of Aion in Nea Paphos, Cyprus
Paris, France 03.25.2017: interior of a famous museum of Paris
This is a picture of the Lazarus's resurrection depicted in the 18th chapel of the famous Sacro Monte of Varallo in the northern of Italy.
Hercules and Iolaus mosaic - Anzio Nymphaeum. Lazio, Italy
Pompeii, House of the Vettii, Casa dei Vettii, VI, 15,1), wall painting of the oecus (room q) at the peristyle. Detail of wall painting showing small angels doing goldsmith work, on the right an angel weighs a piece of jewellery on hand held scales.\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
biblical scene of the famous biblical passage representing Raising of Lazarus, miracle of Jesus Christ. This is one of the Sacro Monte di Varallo's chapels, unesco site in Italy (Varallo, Piedmont, Italy, May 23 2017)
Dates back to 1791. Soma, Manisa, Turkey.
Como - The painting of Presentation of Virgin Mary in the Temple in church Santuario del Santissimo Crocifisso by Carlo Innocenzo Carloni (1686–1775).
A view of the stunning frescoes inside de apse of the Duomo of Spoleto, a medieval town in the Umbria region, central Italy. The frescoes, depicting the Stories of the Virgin, were painted by Filippo Lippi between 1467 and 1469. The Duomo, or Cattedrale di Santa Maria Assunta (Cathedral of Assumption of the Blessed Virgin Mary), was built starting from 1067 in Romanesque and Lombard style and consecrated in 1198. Spoleto, one of the most visited medieval cities in Italy, hosts the Festival of the Two Worlds, a world-famous event that brings together hundreds of artists, musicians, classical dancers and opera singers every year. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Super wide angle image in high definition format.
Mars fresco in House of Venus, Roman frescoes from the Pompeii archaeological site, Pompeii destroyed by the eruption of Vesuvius in the year 79 BC. During the rule of Roman Emperor Vespasian., Italy
Crypt with a gilded stucco vault which houses the tomb of Andrea Doria, a sixteenth-century work by Giovanni Angelo Montorsoli
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