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Zeus and Hera at Austria Parliament Building, Vienna.
Close-up head shots of white marble allegorical figures of rivers Inn and Danube unveiled in 1902 by Austrian sculptor Hugo Haerdtl (1846-1918) as part of Pallas Athene fountain on Vienna Ring Road, Ringstrasse
the Mongolian ancients couplehttps://lh6.googleusercontent.com/-fqCGZnR3JKk/VPHr3hpunMI/AAAAAAAABAs/5e86ZjBaS4c/w380-h150-no/banner_Bride-and-Groom.png
Vienna - Detail of Allegorical statues of rivers Elbe and Moldau in the front of the Parliament in Vienna as the part of Pallas Athena fountain.
Fashionable attractive redhead couple, handsome man and beautiful woman with bare shoulders standing back to back in the studio. Concept of natural beauty, love, relationships, fashion. Ad. Banner
Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.
Bubbles gum. Young couple of ballet dancers in ancient Rome costums at blue studio as modern man, woman. Historical character, creative, classical art, humor and comparison of eras concept.
Punishment of Ixion, House of the Vettii, Pompeii.\nThis mythological scene is located on the east wall of the north triclinium, which is located next to the large peristyle. It shows the moment of Ixion, the Lapith King, being punished for betraying Zeus. After being welcomed into Olympus by the god, Ixion grew to lust after Zeus's wife, Hera. After Ixion attempts to seduce her, Zeus creates the cloud goddess Nephele in the image of Hera. Ixion lies with Nephele and their union creates the centaurs. As punishment, Zeus banishes Ixion from Olympus and orders Hermes to tie Ixion to a winged fiery wheel, which is to spin for eternity.
Cupid and Psyche. An ancient stone statue on black background. Copy space.
Close-up head shots of white marble allegorical figures of rivers Inn and Danube unveiled in 1902 by Austrian sculptor Hugo Haerdtl (1846-1918) as part of Pallas Athene fountain on Vienna Ring Road, Ringstrasse
The ancient statue of the Tevere features the river gods of the Tiber in the fountain at Piazza del Campidoglio Rome Italy XVI century
From Vienna, Austria At The Parliament Building The Athena Fountain (Pallas-Athene-Brunnen) was erected between 1893 and 1902 by Carl Kundmann, Josef Tautenhayn, and Hugo Haerdtl, based on the plans by Baron von Hansen
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Burger and fast food. Young couple of ballet dancers in ancient Rome costums at blue studio. Historical character, creative, classical art, comparison of eras concept. Beautiful male, female perfomers
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
The Pallas-Athene Fountain (Pallas-Athene-Brunnen) is a wonderful example of artwork created between 1893 and 1902 to give an allegorical representation of the four most important rivers of the Austro-Hungarian Empire. It stands in front of the Austrian Parliament building, a Greek revival style palace. This impressive architectural complex is one of the most famous landmark of Vienna. Black and white image.
God of the forge and blacksmiths Hephaestus. (Greek and Roman mythology)
Photo taken in Vienna, Austria
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
3d rendering sculpture a dual-faced head, ancient Greek or Roman bust symbolizing duality. Internal conflict and split personality, dissociative disorder concept
The Pallas Athene Fountain which stands in front of the Austrian Parliament.
Vienna - Detail of Allegorical statues of rivers Elbe and Moldau in the front of the Parliament in Vienna as the part of Pallas Athena fountain.
Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.
Marble sculpture of Zeus and Cupid, culture of Europe
Largely preserved under the ash, Pompeii offers a unique snapshot of Roman life, frozen at the moment it was buried.
Zeus pointing with men holding him up over a fountain outside the Albertina Art Museum in Vienna, Austria
An exquisite statue presenting three women in close embrace, symbolizing unity and grace. The artwork, steeped in classical influence, captures timeless beauty and intricate artistry in monochrome, standing serenely amidst tranquil surroundings.
Pallas-Athena-Brunnen Fountain in front of the Austrian Parliament in Vienna, Austria
East Doors (Gates of Paradise) by Lorenzo Ghiberti on Florence Baptistery (Battistero di San Giovanni) in Tuscany, Italy. These doors consist of 10 panels depicting scenes from the Old Testament and were commissioned in 1424. Once completed, they were described by Michelangelo as being fit to be the 'gates of paradise'. The doors displayed are now a copy of the original, with those being displayed in a local museum.
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